Reviews

Niels Swinkels - May 5, 2014

The SFS is currently on two weeks of ‘Bach camp,’ delving into the music of father J.S. and son C.P.E Bach under the guidance of Dutch conductor Ton Koopman.

Jason Victor Serinus - May 4, 2014

Before a a thrilled audience, as though she could do no wrong, mezzo-soprano Stephanie Blythe dedicated her take-no-prisoners voice to a winning program of French song and American popular classics from the 20th century.

Jeff Dunn - May 3, 2014

A single concert from the Berkeley Symphony is proof that an orchestra with a smaller budget and acoustically challenged venue can be more interesting than an entire season of more richly endowed orchestras.

Janice Berman - May 1, 2014

Liam Scarlett’s Hummingbird, which had its world premiere at the San Francisco Ballet Tuesday night, is almost shockingly wonderful.

Niels Swinkels - May 1, 2014

The Hamelin Trio’s recital is happily saved by a pinch-hitting clarinetist who blended superbly with Marc-André Hamelin and Anthony Marwood.

Steven Winn - April 29, 2014

A double-bill from Festival Opera of The Emperor of Atlantis and Another Sunrise features striking music and world-class acting and singing.

Niels Swinkels - April 28, 2014

Guest conductor James Conlon led the S.F. Symphony a standout piece by composer Erwin Schulhoff and notable performances by Jean-Yves Thibaudet and Mark Inouye.

Janice Berman - April 28, 2014

With music from the Philharmonia Baroque Orchestra and Chorale conducted by Nicholas McGegan, Acis and Galatea, a Cal Performances co-production and world premiere is a delight.

Jeff Dunn - April 28, 2014

A great deal of hard work pays for Opera Parallèle, despite an odd pairing for a double-bill and its so-called "ubernarrative."

Maggee VanSpeybroeck - April 26, 2014

There are plenty of clues that classical music is alive and well in the Bay Area, evidenced by an all-motets concert by American Bach Soloists that drew a large, incredibly enthusiastic audience.