The arias on this CD, most never recorded before and music that is mostly unknown, are all tailored to particular singers, and they wind up showcasing what amounts to "first version" Handel compositions.
Cellist Matt Haimovitz suits the age-of-anxiety mood of Philip Glass’ cello concerto, based on his movie score and recently expanded to concerto dimensions.
Mark Morris demonstrates, once again, that he has quite an ear in the presentation of (the world premiere) Spring, Spring, Spring and Mosaic and United, one of his best pieces.