Reviews

Richard S. Ginell - April 11, 2023

It’s a modern-day Rhapsody in Blue, the perfect recording project for the superstar pianist and Abrams’s Louisville Orchestra.

Lev Mamuya - April 4, 2023

The Boston-based group marks its 10th anniversary with contemporary music and Beethoven.

Jim Farber - April 4, 2023

The local premiere of Reich/Richter highlights a concert celebrating the 86-year-old composer’s long productivity.

Jason Victor Serinus - April 2, 2023

As wonderfully as Giacomo Puccini’s opera has been served in the studio, this Warner Classics release is up there with the best.

Richard S. Ginell - March 28, 2023

The newly minted Grammy Award winner delivers a remarkably polished set at The Soraya.

Josef Woodard - March 28, 2023

The premiere of Esmail’s work about water and the environment makes a powerful impression alongside Gabriel Fauré’s Requiem.

Victoria Looseleaf - March 28, 2023

With James Conlon conducting a sensitive account of the score, and a fine cast to boot, there is no mystery to the success of this production.

David Bratman - March 28, 2023

The orchestra and director Donato Cabrera brilliantly interpret pieces that would have been intimately familiar to the composer.

Richard S. Ginell - March 28, 2023

The U.S. premiere of Felipe Lara’s Double Concerto has the two players merging avant-garde sensibilities, with Susanna Mälkki conducting.

Lisa Hirsch - March 27, 2023

Allen Shearer and Claudia Stevens’s operatic take on The Tempest succeeds most in musical moments that depart entirely from the original.