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Latest From the SFCV Feed

Georgia Rowe - May 4, 2010

There's no one quite like Laurie Anderson. Here, the performance artist talks about her upcoming performance of Delusion, the mystery of how our minds work, her love of books and desire to write, and how "talking about music is like dancing about architecture."

Jason Victor Serinus - May 4, 2010

Pamela Z's Baggage Allowance is a sonically and visually layered work that explores baggage in all its literal and metaphorical permutations. With the world premiere on Friday, the composer once again promises to bend genres and defy categorization.

Heuwell Tircuit - May 3, 2010

The 50th of Hyperion’s cycles devoted to Romantic piano concertos features a generous heap of Tchaikovsky by pianist Stephen Hough, partnered by Osmo Vänskä and his Minnesota Orchestra. It’s quite an undertaking, with terrific sonics, though made during live performances.

Scott Cmiel - May 3, 2010

Manuel Barrueco gave a panoramic view of the history and future of the classical guitar in the 20th and 21st centuries in a marvelous recital Thursday at San Francisco’s Herbst Theatre.

Joseph Sargent - May 3, 2010

Cantare Con Vivo Music Director David Morales takes the title of his ensemble quite literally. In 23 years of conducting this conglomerate of large, small, and children’s groups, he has developed an unwavering commitment to using singers’ own life experiences to enhance their performance.

Rachel Howard - May 3, 2010

For general ballet-goers, the run of Romeo and Juliet that opened Saturday and continues through this week is the crowning jewel of San Francisco Ballet’s 2010 season, which takes over the War Memorial Opera House every January through May.

David Bratman - May 3, 2010

The St. Peter’s Chamber Orchestra finished off its first season on Saturday, at its namesake church in Redwood City, by highlighting four of its own players as soloists in two rare double concertos, and matching those with two brief standards of the orchestral repertory.

Heuwell Tircuit - May 3, 2010

Only six members of the 11 musicians who make up the Avedis ensemble played Sunday afternoon’s program at the Florence Gould Theater. The program, by the Stanford Woodwind Quintet and pianist Paul Hersh, was devoted largely to Baroque music, most of it in transcriptions.

Michael Zwiebach - April 28, 2010

William Bolcom, one of the indisputably great American composers is showing up in the Bay Area this week and the 72-year-old is not sparing himself, so you have several chances to check him out.

Michael Zwiebach - April 27, 2010

Les grâces is a small chamber music group you may not have heard of, but they have a growing reputation. Their upcoming concerts featuring world-class musicians are worth a visit.