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Latest From the SFCV Feed

Feature

The Best Performances of 2007

Jeff Dunn - January 8, 2008
As we begin the new year, San Francisco Classical Voice takes a look back at the performances of 2007 that some of our reviewers most enjoyed. As with any such list, the choices are entirely subjective.
Feature

The Best Performances of 2007

Michelle Dulak Thomson - January 8, 2008
As we begin the new year, San Francisco Classical Voice takes a look back at the performances of 2007 that some of our reviewers most enjoyed. As with any such list, the choices are entirely subjective.
Feature

The Best Performances of 2007

Heuwell Tircuit - January 8, 2008
As we begin the new year, San Francisco Classical Voice takes a look back at the performances of 2007 that some of our reviewers most enjoyed. As with any such list, the choices are entirely subjective.
Feature

The Best Performances of 2007

Michael Zwiebach - January 8, 2008
As we begin the new year, San Francisco Classical Voice takes a look back at the performances of 2007 that some of our reviewers most enjoyed. As with any such list, the choices are entirely subjective.
Feature

The Best Performances of 2007

Janice Berman - January 8, 2008
As we begin the new year, San Francisco Classical Voice takes a look back at the performances of 2007 that some of our reviewers most enjoyed. As with any such list, the choices are entirely subjective.
Feature

The Best Performances of 2007

Lisa Hirsch - January 8, 2008
As we begin the new year, San Francisco Classical Voice takes a look back at the performances of 2007 that some of our reviewers most enjoyed. As with any such list, the choices are entirely subjective.
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Review

Overtones From Across the Border

Jeff Dunn - January 8, 2008
Contemporary composers are like presidential candidates: A few front-runners get all the attention while others languish at the margins of recognition. And then there are the two major "parties," the American and the European. How does a composer from Latin America stand a chance? Armando Castellano founded Quinteto Latino to provide such chances, having grown up in a U.S.
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Review

Variations on the Quartet

Michelle Dulak Thomson - January 8, 2008
It's yet another measure of how good we, the listening public, have it in the Bay Area that while the seasons of our "major presenters" would keep a voracious concertgoer pretty happy by themselves, you could eliminate every one of them from consideration and still put together a full — nay, impossibly overfull — calendar of first-rate recitals out of the offerings of the smaller concert
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Review

Songs Stuck Between Two Worlds

Jason Victor Serinus - January 8, 2008

Kitka has come a long way since a presumably Birkenstock-clad group of women founded it in 1979. Dedicated to exploring music rooted in Eastern European women's vocal traditions — think Le Mystère des Voix Bulgares with a Western twist — the Oakland-based ensemble, whose name means "bouquet" in Bulgarian and Macedonian, has accomplished the near-impossible: sounding surprisingly authentic.

Innovation Isn't Enough

Alexander Kahn - December 18, 2007
During a discussion session that followed the Berkeley Akademie’s inaugural concert on Wednesday, musicologist Joseph Kerman reflected that many of today’s performing ensembles are seeking innovative ways of presenting classical music. Kerman’s remarks encapsulated the impetus behind the Akademie, a spin-off of the Berkeley Symphony, under the artistic direction of Kent Nagano and Stuart Canin.