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The founder of the Rubin Institute for Music Criticism at SFCM has released a memoir about his career in journalism and book publishing.

A new recital album turns up a number of exciting bel canto rarities, along with familiar favorites — all beautifully sung.

In a rock-solid performance by the Ensemble intercontemporain, a new musical score does everything that the 1924 film could not even imagine.

The opera’s latest revision, unveiled by Adams, the LA Phil, and the original cast, makes a strong case for the work.

Calm, peaceful works by the Ukrainian composer contrast with the Sturm und Drang of Mozart’s D-Minor Piano Concerto at The Soraya.

The Chicago quartet is in its element with a program of recent works written expressly for the group.

Orchestra and music director were united in splendid interpretations of Beethoven and Mussorgsky/Ravel.

Rembetiko, a gritty tradition of song and dance engendered by a nearly forgotten war, is celebrated by the Greek Chamber Music Project.

Putting classic Golden Age film scores next to the composer’s Symphony No. 2 shows what was borrowed and what was missed.

Resurrected by determined advocates like Cox, William Levi Dawson’s symphony is definitely repertory-worthy.