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Latest From the SFCV Feed

Jeff Kaliss - March 14, 2022

InterMusic SF’s celebration of Bay Area music-making will be as inclusive as ever, including a lot of novelty.

Janos Gereben - March 14, 2022

Poon uses the latest technology to connect listeners with her music-making process in a timeless way.

Tom Jacobs - March 14, 2022

Touring California during a pandemic is just the latest challenge for the indomitable London Symphony Orchestra.

Iris Kwok - March 13, 2022

A commissioned triple concerto from Clarice Assad explores the mythology of mermaids.

Richard S. Ginell - March 13, 2022

Sidelined two years by the pandemic, the concert at Disney Hall was a triumph for music without boundaries.

Janos Gereben - March 12, 2022

Individuals, ensembles, and spontaneous orchestras raise voices and take up instruments to show solidarity, fire hope, and raise resources.

Emily Wilson - March 10, 2022

In the heralded oratorio Place, composer Ted Hearne and poet Saul Williams seek to unpack history and personal experience.

Michael Zwiebach - March 8, 2022

Dylan Mattingly’s six-hour-long Stranger Love will premiere in the orchestra’s Green Umbrella series.

Janos Gereben - March 8, 2022

Look for a balance of vintage rarities and new commissions, faces both familiar and fresh, and the return of PBO’s Jews & Music series.

Lisa Hirsch - March 8, 2022

Limmie Pulliam owns the title role in Livermore Valley Opera’s dramatic, well-cast production of Verdi’s challenging opera.