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Casting blind soprano Cristina Jones in the lead was the first step in reimagining Tchaikovsky’s fairytale opera.

The Polish countertenor and champion break dancer tells SFCV about the latest projects in his blazing career.

Today's music archivists face serious challenges, and cloud storage may not be the answer.

Alexander Gedeon was concerned about the company’s internal commitment to goals of inclusion and equity.

SF Ballet’s pairing of the venerable La Sylphide with an Alexei Ratmansky premiere is a roaring success. 

Always looking forward, the City’s cultural epicenter celebrates its first 100 years with new programs, new commissions, and an expanded campus.

Ludovic Morlot leads scorching performances of the Shostakovich Tenth and Prokofiev's bad-boy Piano Concerto No. 1.

Pergolesi’s heart-rending tunes stand the test of time on this lovely recording.  

Celebrating Iranian New Year and welcoming spring with music and dance is becoming a tradition at Segerstrom Hall.

Choreographer John Neumeier stages Bach’s masterful oratorio with the dancers of the Hamburg Ballet.