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The new KDFC morning host relays her history as a singer, actor, and radio personality, and shares her philosophy of inclusiveness in classical music.

Anne Hege debuts as the pioneering ensemble’s new artistic director in “Hark, I Hear the Harps Eternal,” Dec. 11 and 17.

Laurent Pelly’s whimsical production and a stellar cast make a major hit of Rossini’s familiar opera buffa.

Carlo Pallavicino’s forgotten opera delights the ear and the eye in this contemporary restoration.

Christina Pluhar leads the early-music ensemble in a tour of 17th- and 18-century Neapolitan delights.

Conductor Garrett Keast and a cadre of Berlin-based musicians release a disc with American musical roots and branches.

Although major companies and presenters are meeting the challenges, there are many extra hurdles now.

Opera Parallèle’s family-friendly production is uplifting, and Marcus Shelby’s lively score is done justice by a superior cast.

The concert won’t be all memories: A premiere from composer Cava Menzies honors the outgoing chorus director.

Artistic Director Cyril Deaconoff tells SFCV about adapting Luciano Berio’s ingenious work for VSOV’s high-tech “Together at Last” concert.