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Latest From the SFCV Feed

Janice Berman - April 9, 2022

Helgi Tomasson’s Prism is a fitting highlight to celebrate the artistic director’s spectacular career.

Tom Jacobs - April 6, 2022

Staff members who went public with their resignations last month don’t agree with the report’s findings.

Peter Feher - April 5, 2022

There’s not going to be a lack of star power with the programs next season.

Michael Zwiebach - April 5, 2022

Performing in small spaces scattered around the East Bay and San Francisco, a host of smaller musical organizations are making a noise in April.

Paul Kotapish - April 5, 2022

Donato Cabrera keeps the East Bay orchestra in the vanguard with all-new and remarkably diverse programming, plus an all-women roster of soloists.

Claudia Campazzo - April 5, 2022

An open letter from SFCV’s executive director.

Janos Gereben - April 4, 2022

Chanticleer and the LA Phil are among the California recipients.

Victoria Looseleaf - April 4, 2022

The choreographer talks about the groundbreaking work she and her group have done and what makes them distinctive.

Emily Wilson - April 4, 2022

After nearly 50 years, the quartet still has new things to say. The festival April 7–9 spans its ever-expanding repertory.

Jason Victor Serinus - April 4, 2022

The coloratura soprano showcases her spectacular technique in her second studio album.