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It may sound esoteric, but contact improvisation is becoming more central to contemporary dance, and is even taught at corporate retreats.

With his opera in suspended animation, the composer Mark Grey puts forth a Frankenstein Symphony based on its themes at the Berkeley Symphony.

A new Jennifer Higdon suite highlights an evening of music inspired by — but not necessarily for — dancing.

Music Director Alan Gilbert’s muscular approach made a tame program exciting and fresh.

The famous cellist is a risk-taker who loves open-hearted expressiveness and has a few, good stories to tell.

In Hunger Strike, composer and vocalist Amy X Neuburg turns our attention to the conditions of solitary confinement.

The heralded composer’s much-anticipated premiere was just one gem in a dazzling evening of sonic and temporal connections explored by Pablo Heras-Casado and the S.F Symphony.

Opera Parallèle’s artistic director and founder takes her place among quarterbacks, pitchers, and point guards with her latest award.

Approaching the end of their collaboration, Cypress Quartet returns to their roots in a series of performances in unusual locales.

The lauded ensemble marks its own quarter century with a festival and bids farewell to Nadja Salerno-Sonnenberg with a special concert.