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Latest From the SFCV Feed

Jeff Dunn - September 30, 2012

The “imagined places” of Samuel Carl Adams’ Drift and
Providence
enriched the orchestral palette with new sounds, alongside Mahler's all-encompassing Fifth, reminding patrons of the S.F. Symphony’s world-class status.

Niels Swinkels - September 29, 2012

Prior to the premiere of Paul Dresher's Concerto for Quadrachord and Orchestra at the Berkeley Symphony, the composer spoke with SFCV.

Benjamin Frandzel - September 27, 2012

Cantor Yitzchak Meir Helfgot lofts his sublime music into the air, buoyed by Itzhak Perlman’s violin and assorted klezmer musicians.

Michael Zwiebach - September 27, 2012

The California Symphony opens its conductor search with Robert Moody fronting the orchestra in a straight-down –the-middle program.

Mark MacNamara - September 27, 2012
Les Petit Chanteurs
Les Petit Chanteurs

It’s fall and you’re back in the ‘big busy.’ That's understandable, but if you had time to hear these 30

Mark MacNamara - September 27, 2012
Daniel Barash with his shadow puppets
Daniel Barash with his shadow puppets

Think of it: A whole day of free dance, music, and theater — Chi

Mark MacNamara - September 27, 2012

The Sound of Music, born on Broadway in 1959 has since become the stuff of skits and slams, as well as reverence and audience sing-alongs, a 1950s anthem to the carefree heart. Think of the songs “16 Going on 17” and “Do-Re-Mi.”

Mark MacNamara - September 27, 2012
MTT and Samuel Carl Adams
MTT and Samuel Carl Adams

Imagine you’re a 25-year-old composer and you get a gig with the San Francisco Symphony un

Michael Zwiebach - September 26, 2012

This is music that we’re used to hearing from the Bay Area’s old hands, so it will be interesting to hear the NextGen interpretations.

Michael Zwiebach - September 26, 2012

This is music that we’re used to hearing from the Bay Area’s
old hands, so it will be interesting to hear the NextGen interpretations.