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Latest From the SFCV Feed

Georgia Rowe - October 24, 2011

Gustavo Dudamel led his Los Angeles band in an electrifying concert that included a new work with a Big Bang coda.

Mark MacNamara - October 24, 2011

The latest test to U.S. copyright law before the Supreme Court affects a wide range of “little guys.” What will the impact be for classical music stakeholders?

Jeff Dunn - October 24, 2011

Chamber concertos and vocal works distinguish BluePrint’s program, inviting cross-comparisons and rewards for the ear.

Janos Gereben - October 23, 2011

Nicola Luisotti takes the San Francisco Opera Orchestra across the Bay Bridge, to Cal Performances on Oct. 28 and talks candidly about his passion for conducting the orchestra.

Trista Bernstein - October 21, 2011

The Cashore Marionettes will come to life at Cal Performances on Oct. 23. They are in no way a simple puppet show, but characters alive on stage.

David Bratman - October 21, 2011

The Sphinx Virtuosi opened the Stanford Lively Arts' season in a concert that was an exercise in overcoming cultural stereotypes by an orchestra of complete professionalism, winning personality, and a commitment to understanding works by old masters.

Scott Cmiel and Jeff Kaliss - October 21, 2011

The first Chinese classical guitarist to launch an international career, Xuefei Yang was so accomplished as a teen that John Williams gave two of his own Smallman guitars to the Beijing Conservatory so she would have excellent instruments to play.

Michael Zwiebach - October 21, 2011

The men's choir Clerestory, originally a splinter group from Chanticleer, is one of the less-known Bay Area treasures. If you've never looked in on them, here is a wonderful-sounding program about the music of Notre Dame Cathedral, Paris, presented in conjunction with Humanities West's seminar weekend.

Michelle Dulak Thomson - October 21, 2011

Should anyone not be tired of Farinelli’s repertoire after the Philharmonia Baroque set, here is Philippe Jaroussky, among the most recent of the countertenor superstars, singing Handel and Vivaldi arias with Jeannette Sorrell’s Cleveland-based ensemble Apollo’s Fire.

Lisa Hirsch - October 21, 2011

James Conlon led a thrilling performance of the Verdi Reqiuem, one of sweeping power, by turns terrifying, tender, and moving; succeeding brilliantly in bringing the performers together and making a musical and dramatic whole out of a work that is all too easy to fumble.