The long-running European ensemble is a new sensation here, and for good reason.
The acclaimed young ensemble exhibit technical mastery and nuanced interpretations of Beethoven, Haydn, and Shostakovich.
Despite four delightful, beautifully performed works, the program left the listener wanting more.
Murat Eyuboglu’s genre-melding project comes up short, but Roomful of Teeth, Glenn Kotche, and Jeffrey Zeigler deliver some high points.
Murat Eyuboglu’s film, set to a live-performed score, brings environmental issues “upstream.”
Arcadiana and The Four Quarters hold their own in the ultimate comparison — with Beethoven.
Composer Aaron Gervais pairs intriguing guitar music with expressive dancers to explore a culture steeped in pharmaceuticals.
Composer Lucie Vítková stretches sonic boundaries to expose the essence of music-making.
The Icelandic quartet plays brand-new music on Baroque-period instruments.
Guest soloists and dancers join the orchestra and chorale for a fully-staged presentation of Rameau’s opera-ballet Le Temple de la Gloire.
