Singing the praises of Mendelssohn’s underrated “Hymn of Praise” symphony in a powerhouse performance by Philharmonia Baroque and an augmented Philharmonia Chorale.
The orchestra’s intimate connection with the works of Mahler continues to inspire.
The wildly creative DJ and composer pairs processed recordings of a “dead” baroque ensemble with the S.F. Symphony performing live.
SF Symphony featured the less-performed, edgy works in Copland's output, with Inon Barnatan at the keyboards for the Piano Concerto.
The Russian piano phenomenon delivered a thrilling performance in collaboration with Kent Nagano and the OSM.
Awkward programming and distracting visuals overshadow a powerful rendition of Fauré’s Requiem.
As he’s been doing his whole career, conductor Charles Dutoit brought clarity and detail to early 20th-century masterpieces.
The Academy of St. Martin in the Fields fielded a great soloist on Sunday, but missed a conductor’s attention.
: No more excuses if you haven’t heard the work of this brilliant Portuguese pianist.
Harpsichordist Derek Tam joined the group in three pieces all composed in 2016.
