Gabriela Lena Frank and Nilo Cruz’s new opera hits the bull’s-eye in every possible way and engages audiences to boot.
As directed by Rhiannon Giddens, the festival explores improvisation and cross-cultural connections at the expense of European modernism.
Cahill’s concert is based on her long-standing interest in the form and in commissioning new music.
The Korean choreographer and performance artist sees her theatrical work as healing and essential for American audiences.
In Peter Sellars’s semistaged production, everything from the orchestra to the principal performances is absolutely right.
