The contemporary ensemble brings in composers from diverse backgrounds and practices, which creates its own challenges.
Etienne Gara’s ensemble is one of several young groups in L.A. that are shaking up formats and programing in a welcome way.
Artistic Director Anne K. Hege wants her singers to investigate the breadth of human emotions in their winter concert.
Errollyn Wallen’s new opera, given its American premiere by Philharmonia Baroque Orchestra, extends Purcell’s Dido and Aeneas.
Iris Nemani arrives on campus in April and brings a background in theater.
There’s been no shortage of terrific musicians to benefit from the leg up that the partnership between SFCM and the SF Symphony provides.
Derrick Wang’s funny, sharply observed one-act pairs well with Gilbert and Sullivan’s Trial by Jury.
This tour of Latin American folk styles makes an impression, along with a cool reading of Brahms’s Second Symphony.
You may not have heard of them all, but there’s significant accomplishment within this circle of Black musicians.
