The group is mixing it up again by playing programs for different tastes.
The composer’s dark, often mocking orchestral work shares space with Brahms’s First Piano Concerto and Sibelius’s Symphony No. 3.
Bradley Cooper’s new film will see Hollywood once again turning to classical music for drama and intrigue.
At Carnegie Hall, the Egyptian soprano and Andalusian guitarist trace the exchange of Islamic and Judaic influences in Spanish songs.
It’s a modern-day Rhapsody in Blue, the perfect recording project for the superstar pianist and Abrams’s Louisville Orchestra.
