Few concertgoers who heard it will forget violinist Vadim Gluzman’s San Francisco Symphony debut in May 2008. Performing Shostakovich’s Violin Concerto No.
In the middle of an extended weekend’s showcase by Stanford Lively Arts, composer Steve Reich sat down in a hotel lobby to talk about his five decades of exploration in the musical outback.
Acclaimed for his “physical, sensual relationship” with his instrument, British cellist Steven Isserlis is an artist who combines brilliant technique with innate feeling.
Jeffrey Thomas is preparing American Bach Soloists for their two performances of Handel’s Messiah at San Francisco’s Grace Cathedral this weekend. He is also writing a book on Handel’s masterpiece, leading the ABS into new educational territories (including a summer training program), and finding time to create the occasional chilled-avocado and seafood soup.
Canadian-born pianist Marc-André Hamelin is recognized as one of the top talents in the concert hall today. He’s a champion of both undiscovered and standard piano repertoire, he’s prolific in the recording studio, and he’ll see his first published composition released next fall.
Renée Fleming is one of the opera world’s most recognizable divas. Blessed with gorgeous good looks and a golden voice, the Pennsylvania-born soprano started her career in Mozart roles and soon moved on to her favorite composer, Richard Strauss.
William Bolcom has always made his own way. Throughout his career, which has produced symphonies, operas, chamber pieces, and piano and vocal works, the Seattle-born, Michigan-based composer has often rejected the prevailing notions of what “serious” music should include.