National Endowment for the Arts Chairman Rocco Landesman today announced the latest round of NEA funding totaling $26.68 million awarded through 1,057 grants to nonprofit organizations nationwide.
It's startling, to learn that the Audio Engineering Society has been around long enough to have held its 129th convention in San Francisco last week. Not that AES is that old — it was established in 1948 — but it's that active.
James Conlon is one of the finest conductors around, and he is also a maverick presenter of unusual programs. And so it was expected that he would bring something different to his current appearances with the San Francisco Symphony (which he first led 32 years ago), and he did not disappoint.
Major supporters of the arts get some — not enough — publicity, and ceaseless, ever-present benefit angels such as Frederica von Stade model are also known — also not enough — th
If no weapons are involved, next time I am facing a gang in a dark alley, I want Gabriel Manro on my side. Making his debut here, in the West Bay Opera’s sensational production of Verdi’s La Forza del Destino, Manro is a new kind of baritone: not lyric, not helden, not Kavalier, not Bariton-Martin — none of those. Rather, he’s a knock-down baritone.