Lisa Hirsch

The orchestra’s decision to curtail its acclaimed SoundBox series suggests a more complicated financial situation at the organization.

Errollyn Wallen’s new opera, given its American premiere by Philharmonia Baroque Orchestra, extends Purcell’s Dido and Aeneas.

Breathing Forests has its local premiere on a mixed program bookended by two Igor Stravinsky works.

Rhiannon Giddens and Michael Abels’s work is bold and beautiful and couldn’t be timelier.

Opera Parallèle’s latest commission for students of all ages is a worthy work in its own right.

The players are self-effacing in these pieces about spirituality and the natural world.

Eun Sun Kim leads a riveting performance and a cast of standouts, with three principals new to their roles.

The orchestra has added a handful of new musicians to its roster but is still looking to fill some major openings.

Mystery, haunting, and horror dominate a theatrically vivid summer from the company.

Contract negotiations between the orchestra and the musicians appear to be stalled.