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Latest From the SFCV Feed

Richard S. Ginell - September 15, 2023

Karen Kamensek leads performances of The Planets and Glass’s First Violin Concerto that get there in the end.

Steven Winn - September 14, 2023

In a work laced with action-movie passion, soprano Angel Blue and mezzo-soprano Ekaterina Semenchuk are incisive and alluring.

Michael Zwiebach - September 12, 2023

Master of electronica though he is, the composer of The (R)evolution of Steve Jobs links his ideals to 19th-century programmatic music.

Jim Farber - September 12, 2023

The intimate 300-seat space will host the majority of the presenter’s events this year.

Tom Jacobs - September 12, 2023

Czech composer Vítězslava Kaprálová’s 1935 opus will feature pianist and UCLA grad Rosalind Wan Wong.

Janos Gereben - September 12, 2023

All the new tracks are alternate takes and studio working sessions, aimed at Callas lovers who want an ever more complete look at her career.

Emery Kerekes - September 12, 2023

Hyperion Records has begun releasing its catalog for streaming. Here’s some of the best of the first batch.

Victoria Looseleaf - September 12, 2023

The singer has a commanding voice, but she continues to train and extend it, enjoying all of the practice and rehearsal along the way.

Jason Victor Serinus - September 12, 2023

A new recording showcases Paola Prestini and Mark Campbell’s opera about a stuffed rabbit’s tumultuous journey.

Jeff Kaliss - September 6, 2023

Mostly known for being quoted in Warner Bros. cartoons, Raymond Scott’s entertaining compositions have now been recorded by QSF and a big band.