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Latest From the SFCV Feed

Victoria Looseleaf - June 11, 2024

The legacy of one of the Bay Area’s most famous instrumentalists, Ali Akbar Khan, is celebrated in a special performance featuring his sons.

Richard S. Ginell - June 10, 2024

The sounds of wind and sea surge in Cerrone’s latest piece for the Boston-based Lorelei Ensemble.

Janos Gereben - June 10, 2024

Music Director Daniel Hope reprises many of his signature projects, some for the first time in the Bay Area.

Tom Jacobs - June 10, 2024

The upcoming year at the performing arts center on the Cal State Northridge campus promises a little bit of everything.

Michael Zwiebach - June 4, 2024

Sweeney, who retired as executive director last week, guided the festival to sustainability and furthered its educational mission.

Jim Farber - June 4, 2024

Kate Soper’s “philosophy-opera” gets an outstanding production from director James Darrah and Long Beach Opera.

Lisa Hirsch - June 4, 2024

The Finnish composer’s late masterpiece, about a school shooting and its enduring effects, premieres at SF Opera.

Jeff Kaliss - June 4, 2024

Arranger and bandleader John Clayton has completed the score for The Africa Suite using unfinished recordings from Peterson’s “vault.”

Victoria Looseleaf - June 3, 2024

With “Shifting Ground,” a commissioning and recording project, Kenney is approaching Baroque music as the start of something contemporary.

Jason Victor Serinus - June 3, 2024

Hear how composer Paul Moravec and librettist Mark Campbell approached the adaptation in a new recording from Lyric Opera of Kansas City.