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Jason Victor Serinus - March 2, 2010

How to widen the circle, to bring more music lovers, both young and old, into the classical fold? In a time of shrinking budgets, that question constantly haunts concert producers, record company executives, musicians, and, yes, even critics in the U.S. (not China, Korea, or parts of Europe) who find themselves communicating with a shrinking pool of graying, mainly white-skinned, classical music aficionados.

Don Kaplan - March 2, 2010
What can you expect from a chorus whose motto is “singing without a net”? Certainly not sea chanteys or singers standing solemnly on risers. Instead, audiences attending Volti’s memorable concert Saturday at St.
Ken Bullock - March 2, 2010
“Forecast: Sunny, With a Chance of Song.” With this meteorological conceit, the program for San Francisco Choral Artists’ concerts around the Bay Area in March features a full spectrum of great modern choral compositions from the beginning through the middle of the 20th century, with two commissioned pieces dating from last year — one composed by SFCA composer in residence Brian Holmes, the other
Joseph Sargent - March 2, 2010
In a time when natural disasters in Haiti and Chile have many people mobilizing their charitable impulses, the musicians of Voices of Music are lending their own helping hand.
Janos Gereben - March 2, 2010

S.F. Symphony Ramps Up to Its Centennial

The San Francisco Symphony, launched in December 1911, is turning 99 next season (which runs from Sept.

Rebecca Liao - March 2, 2010
Anselm Kiefer’s monumental sculpture Seven Heavenly Palaces gave birth to Ludovico Einaudi’s latest album Nightbook in an almost physical way. In 2006, Einaudi performed among Kiefer’s mythically imposing towers and subsequently wrote music inspired by the awareness and feelings of transcendence aroused by sitting at the comparatively tiny grand piano.
Jeff Dunn - March 1, 2010

I’ve covered so many scrape-a-thon concerts of new music featuring the cello that I’ve almost forgotten what a gorgeous, melodious instrument it is. With cellist David Finckel and pianist Wu Han’s release (on the ArtistLed label) of four duos they commissioned, the lyrical cello returns with welcome suffusion.

Jonathan Rhodes Lee - March 1, 2010
The American Bach Soloists’ presentation of the 1725 version of Bach’s St.
Kwami Coleman - March 1, 2010
What does it mean to be an American? This question — provoked by the Oakland East Bay Symphony’s concert Friday — people have been asking in this country from jump, and we have in our collective memory a wide array of answers.
Scott Cmiel - March 1, 2010
A well-known guitar legend quotes Chopin as saying, “Nothing is more beautiful than a guitar, save perhaps two.” Mark Eden and Christopher Stell, the Eden Stell Guitar Duo, gave evidence on Saturday at the Veterans Building Green Room with their magnificent sound, vivid interpretations, and telepathic ensemble.