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Steven Winn - February 22, 2010
Even in a standard-repertoire program, there was something cheeky about the world’s oldest civic orchestra, the Leipzig Gewandhaus Orchestra (est. 1743), putting Dvořák’s “New World” Symphony on Sunday’s opening bill of a two-night stand at Davies Symphony Hall. But by then, after a transportingly good performance of the Chopin Piano Concerto No.
Jeff Kaliss - February 22, 2010
An infrequently mounted masterpiece, bounteous with beautiful and dramatic passages, and delivered by a cast headed by fine principal voices, forms a strong foundation for edifying opera.
Joseph Sargent - February 22, 2010
Being a nun in 17th-century Italy had its fair share of challenges. While life in the convent offered an existence of some comfort and stability for the pious, nuns were governed by strict codes regulating their mobility, their visibility to the outside world, and visits from their families.
Georgia Rowe - February 22, 2010

Some guys have all the luck — or at least it seems that way with Joshua Bell. In the last decade, the American violinist has become one of the most successful artists in classical music history, selling millions of CDs and stacking up awards like so many Legos. With his boyish good looks, it would be easy to dismiss him as the industry’s most marketable commodity.

Marianne Lipanovich - February 22, 2010
Chamber Music San Francisco is starting its season with a bang.
Jason Victor Serinus - February 22, 2010
Right off the bat, tenor saxophonist Stephen Pollack describes the conundrum the New Century Saxophone Quartet (NCSQ) has faced ever since he cofounded the quartet a quarter century ago. “It’s real common when we tour for well over half the audience to have no idea what it means to be a saxophone quartet.
Jason Victor Serinus - February 22, 2010

If you’re looking for music to restore your faith in what’s good in life, look no farther. Florilegium’s pioneering Bolivian Baroque series — three superbly recorded volumes by that period instrument ensemble — contains some of the most delightful music I’ve heard in many a year.

Jessica Balik - February 22, 2010
Shadows are necessarily murky entities. They create spaces in which edges soften and distinctions blur. The program title “Flowing Shadows,” therefore, suited a concert emphasizing convergence between multiple artistic disciplines.
John Karl Hirten - February 22, 2010
The Parisian titular organist holds a special — some would say even exalted — place in the hearts and minds of organ fans.
Lisa Houston - February 21, 2010
Chad Hoopes

A 15-year-old from Cleveland is coming to town to join the California Symphony in a program titled, simply, “Virtuosity.” The concerts on March 7 an