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Michelle Dulak Thomson - November 10, 2009
If there’s anything common to great string quartets, it’s that they have collective personalities much as great musicians have individual ones. What inflects a quartet’s performance of a work becomes, at some undefinable but high level of accomplishment, not only four individual wills but also, seemingly, one composite one.
Olivia Stapp - November 10, 2009
Giuseppe Verdi’s Otello is the final production of San Francisco Opera’s fall season. The opera might be more commonly performed, but it makes strenuous vocal demands on the protagonist and it's difficult to find singers who have mastered the role. Fortunately, Johan Botha, a South African dramatic tenor, is more than up to the job.
Janos Gereben - November 10, 2009

The Phantom of the Legion

The great Ernest M.

Heuwell Tircuit - November 9, 2009
Leaving Davies Symphony Hall Sunday afternoon at the conclusion of the San Francisco Symphony’s all-Sergei Rachmaninov program, I was wondering if I’d put on weight merely by listening to it.
Jonathan Rhodes Lee - November 9, 2009
“Poetry and painting have arrived to their perfection in our own country; music is yet but in its nonage, a forward Child, which gives hope of what it may be hereafter in England, when the masters of it shall find more Encouragement.”

With these words from the dedication to his Dioclesian, Henry Purcell invited future Englishmen to claim him as founder of a modern musical tradition.

Chelsea Nicole Spangler - November 9, 2009

The holiday sales are on, airlines are offering special home-for-the-holidays rates, and pop versions of holiday tunes have already hit the radio airwaves and are playing in malls. Many bemoan the commercialization of the holiday season, and long for a return to a remembered (or perhaps only imagined) past.

Joseph Sargent - November 9, 2009
Traditional December choral concerts, with their well-worn carols and holiday themes, can be great for lifting the spirits. But for concertgoers who want more than just another sing-along, San Francisco Choral Artists’ upcoming program, “Old Chestnuts, New Fire!,” offers a tantalizing alternative.
David Bratman - November 9, 2009
Nearly 20 years after his death, the name of Leonard Bernstein still carries magic among musicians and audiences, enough to ensure a full house Saturday at Stanford’s Dinkelspiel Auditorium for “A Portrait of Leonard Bernstein.”
Steve Osborn - November 8, 2009
On reading the score of Antonín Dvořák’s magnificent Cello Concerto in B Minor, Op. 104, Dvořák's mentor Brahms is reputed to have said, “Why on earth didn’t I know that one could write a cello concerto like this?
Jason Victor Serinus - November 6, 2009

It’s no wonder that San Francisco Performances’ intimate Italian salon at San Francisco’s Hotel Rex sold out two weeks in advance.