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Robert P. Commanday - October 27, 2009
The San Francisco Symphony’s Chamber Music Series, offered most Sunday afternoons, is a dependable bet. There, members of the Symphony emerge as individuals from orchestral submersion and can be heard doing what they most like to do, as best they can.
Lisa Houston - October 27, 2009

A perfect evening at the Symphony or a dazzling night at the Opera might begin with a new outfit, a trip to the barber, and, once you’re properly outfitted, dinner out. Whether having hors d’oeuvres and cocktails with friends, or a fine meal at a restaurant near the concert hall, you can be sure that many of your fellow diners are headed for the same enjoyable evening that you are. But once you’ve soared on the golden wings of Puccini or Mahler, you might find yourself unceremoniously dropped into the less than majestic scene of San Francisco’s Civic Center after 11 p.m.

Janos Gereben - October 27, 2009

Mansouri Unveiled

Lotfi Mansouri x2
Georgia Rowe - October 27, 2009
Music lovers always sit up and take notice when L’Histoire du Soldat (The soldier’s tale) comes to town. Igor Stravinsky’s 1918 one-act, which incorporates music, dance, and spoken text in a wry fable about a Russian solider who makes a deal with the devil, occupies a unique niche in the composer’s career.
Georgia Rowe - October 27, 2009
On November 7, 2004, Sara Jobin made opera history by becoming the first woman to conduct a San Francisco Opera main stage production. The opera was Tosca, and Jobin has since conducted the company’s performances of The Flying Dutchman, Norma, and Appomattox, as well as the S.F.
Jason Victor Serinus - October 26, 2009

As powerful as bass-baritone Bryn Terfel’s voice is, it’s not strong enough to sink the British Isles by itself.

David Bratman - October 26, 2009
Cadenza is a well-known term in classical music, and now it’s also the name of a local orchestra.
Rebecca Liao - October 26, 2009
For its inaugural concert of the year, the Oakland East Bay Symphony will take us to a “Night at the Opera” on Friday, November 13. OEBS Music Director Michael Morgan has selected a large group of the most promising young singers in the Bay Area. With such a big cast, there is often the danger that each individual member will not receive his or her full due.
Jeff Dunn - October 26, 2009
Wouldn’t it be nice if each composer on a program could have his own, ideal interpreter?
Jason Victor Serinus - October 26, 2009
Not since winter 1997, when pianist Sarah Cahill organized a three-day piano marathon of works by Henry Cowell (1897-1965) and those he influenced, have Bay Area music lovers had an opportunity to fully immerse themselves in the oeuvre of one of America’s most brilliant musical mavericks. Now, thanks to Charles Amirkhanian’s Other Minds, we can enjoy two different concerts on Nov.