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Latest From the SFCV Feed

Michael Zwiebach - June 23, 2009
Early music at Trinity

Early music buffs get an unexpected bit of luck this week, as Passamezzo Moderno, a baroque instrumental group shows up at Berkeley

Chelsea Nicole Spangler - June 23, 2009
Baby Doe Tabor
Since 1979, the Berkeley Opera has presented accessible, affordable productions in the East Bay.
Jason Victor Serinus - June 22, 2009

For her much-anticipated second EMI recital disc, the elegant British
soprano Kate Royal (b. 1979) graces us with a collection of gorgeously
sung arias from the last century. Inspired by the role of the Governess
in Benjamin Britten’s gothic psychodrama The Turn of the Screw, which
she sang with Glyndebourne on Tour in 2006, Royal hones in on
20th-century operatic females who, in her own words, share the
Governess’ combination of “intensity and abandon.”

Jeff Kaliss - June 22, 2009

There’s so much music, and more, in Kronos’ latest CD that I felt compelled to question the quartet’s founder and violinist David Harrington at his Sunset District base of operations, seeking details and explanations beyond the liner notes. Much of that conversation will be the source of a future artist profile.

Jessica Balik - June 22, 2009
Anyone who has ever played a video game likely knows that, just as the contours of its control pad can become imprinted on the hand, so too can the game’s musical themes leave lasting impressions on the memory.
Lisa Petrie - June 22, 2009
School’s out, and kids are looking for fun. Some are hoping to build their musical skills, as well. Fortunately, families in the Bay Area have many wonderful summer music camps to choose from, with a wide range of activities.
Georgia Rowe - June 18, 2009
When an opera company’s mission is to give young singers, conductors and directors opportunities to explore the repertoire, Puccini is always a good place to start. Throughout its 18 seasons, Festival Opera has scored numerous hits with productions of the composer’s La Bohéme, Tosca, Madama Butterfly, and Suor Angelica.
Georgia Rowe - June 17, 2009
At 30, Inon Barnatan has established an international reputation as a pianist of uncommon depth and maturity. The Tel Aviv-born, New York-based artist, who studied with Leon Fleisher and the late Maria Curcio, has earned acclaim in a variety of repertoire from Beethoven to Messiaen to Schubert.
Brian Gleeson - June 17, 2009
Nothingset Ensemble, a grassroots collective of Bay Area musicians, composers, and conductors dedicated to performing new music, has just three prerequisites for selecting repertoire: The music must be less than 100 years old, should be performed infrequently, and must be great, according to Ted Hine and Darren Jones, the ensemble’s founders and creative directors.
Catherine Getches - June 16, 2009
“It is somewhat unexpected when a small company like Festival Opera takes on a very grand opera like Turandot. The size of the piece and the enormous role of the chorus make it a challenge,” says Artistic Director Michael Morgan.