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Latest From the SFCV Feed

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Review

The Perfect Score

Dan Leeson - May 9, 2009

Some orchestral programs are naturally perfect — the compositions are linked by friendly key relationships, similar temperaments, and compatible styles.

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Review

Spaced-Out Mussorgsky

Jeff Dunn - May 7, 2009

Another milestone in the history of American showmanship hit Walnut Creek’s Hofmann Theater last Sunday and Tuesday: California Symphony's claim to the world’s first presentation of a 3-D video to accompany — or rather, subordinate — a live performance of a symphonic work. The plea for more funding that followed was justified by the quality of the previous numbers on the program.

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Preview

Spring Concert: Young People's Symphony Orchestra

Michael Zwiebach - May 6, 2009
Bonnie Hampton

Well-known Bay Area cellist Bonnie Hampton’s relationship with the Young People’s Symphony Orchestra goes back to the time when she was a pr

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Preview

More Handel Festivities

Michael Zwiebach - May 5, 2009
Bernard Labadie

The San Francisco Symphony and the Symphony Chorus contribute to the year’s Handel festivities with performances of three of the composer

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Preview

Salons at the Rex

Michael Zwiebach - May 5, 2009
Jennifer Kloetzel
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Feature

The Silent Musician

Thomas Busse - May 5, 2009
Concert audiences can hear the seemingly impossible sound of a singer, watch a pianist type out an incomprehensible profusion of tones, be moved by someone scrubbing on a very little box, or survive an evening where, in spite of the band’s best efforts, it all falls apart.
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Preview

Sacred Harmonies From the Golden Gate Men's Chorus

Jason Victor Serinus - May 5, 2009
Quality is a given when it comes to the Golden Gate Men’s Chorus (GGMC). First and foremost, its director for the last 13 years has been Joseph Jennings, longtime music director of Chanticleer.
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Preview

Brandenburgs For Mother's Day

Michael Zwiebach - May 5, 2009
On Mother’s Day, as on most holidays, concertgoing opportunities will be limited, as presenters fear loss of their audience to other activities, such as the
Judith Linsenberg
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Review

Putting on English Ayres and Rants

Anna Carol Dudley - May 5, 2009
Folks who showed up at Berkeley’s Music Sources Sunday evening, expecting to be transported to the Dorset Garden Theatre in 17th-century London, found that the Theatre’s advertised program had undergone some changes. Since a couple of key players in the Galileo Project had transported themselves back to Estonia, said Project had withdrawn from the program.
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Feature

Music News: May 5, 2009

Janos Gereben - May 5, 2009

S.F. Opera Opts For Being Safe, Not Sorry

The economic downturn, which has hit art organizations with the double whammy of declining contributions and a drop in ticket sales, is really wreaking havoc on opera companies — always troubled by production costs, which are inevitably the highest among performing organizations.