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Michael Zwiebach - April 28, 2009

Cameron Carpenter is a rarity in the rarified world of classical organists. Flamboyant and virtuosic in performance, he has earned not only recognition among musicians, but also popularity as a soloist that overshadows all other exponents of the instrument.

Jesse Hamlin - April 28, 2009

Like a lot of us, monkeys generally prefer a Russian lullaby to German techno music. But given a choice between music and silence, the apes opt for quiet. It seems their brains simply aren’t wired to enjoy music or pay it much mind. “They don’t care about it,” said Vinod Menon, the noted Stanford neuroscientist who’s deeply engaged in research on music and the brain.

Janos Gereben - April 28, 2009
Among the many astonishing things about Yuja Wang is her relationship to time. At 22, already a leading pianist in the world, she not only made her first appearance — as a virtual unknown — only three years ago in San Francisco at a Chinese New Year Concert matinee, but a mere eight years ago she was still studying at the Beijing Conservatory, where Western music meant the time before Brahms.
Michelle Dulak Thomson - April 28, 2009
It’s a strange sensation, finally hearing in the flesh an ensemble you’ve wanted to hear in concert for a couple of decades. Judging by the friends I met and talked to at the Quatuor Mosaïques’ Bay Area debut Wednesday at Berkeley’s First Congregational Church, I’m not alone in having followed the quartet for decades without having had an opportunity to hear them live.
Janos Gereben - April 28, 2009

The Merolini are Coming!

With over half a century of tradition and a $2.1 million annual operating budget, the Merola Opera Program has begun its 2009 program by selecting 29 artists from eight countries for three months of coaching, training, and performances.
Georgia Rowe - April 27, 2009

There’s a lot to be said for youthful exuberance, particularly when it’s combined with the kind of stylish and refined playing offered by the Australian Chamber Orchestra Sunday afternoon at Zellerbach Hall.

John Karl Hirten - April 27, 2009

Paul Jacobs is the first organist in several generations who, by the sheer breadth of his accomplishments alone, has managed to restore the public perception of the organ as a viable concert instrument.

Olivia Stapp - April 27, 2009
Speaking to the famed mezzo-soprano “Flicka” — the endearing sobriquet for Frederica von Stade — I’m immediately infused with the warmth of her intrinsic humanity. She belies the usual caricature of the solipsistic prima donna: the only one for whom the entire world exists.
Heuwell Tircuit - April 26, 2009
Guest conductor Yan Pascal Tortelier split his San Francisco Symphony program right down the middle last week to form a gratifying string of four evenings at Davies Symphony Hall. His first half offered two contrasting works from Paris, his second half two wildly contrasting works from Ralph Vaughan Williams’ London.
Jules Langert - April 26, 2009

Long considered to be one of his finest works, Benjamin Britten’s War Requiem of 1962 can be difficult to bring off successfully, even with the most skilled and dedicated professional musicians. All the more reason, then, to cheer UC Berkeley’s stirring and spectacular performance last Wednesday, before a large, enrapt audience in Zellerbach Hall. UC’s Marika Kuzma, who conducted, got it splendidly right.