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Two exhibitions, at San Francisco International Airport and the Museo Italo Americano, explore an essential cultural connection.

Conductor John Nelsons, mezzo-soprano Joyce DiDonato, and collaborators give great performances of Roméo et Juliette and Cléopâtre.

The orchestra caps a remarkable 10-day run with premieres from composers Ellen Reid and Gabriella Smith.

Director Peter Sellars helms the concert version of the opera at the SF Symphony, with Esa-Pekka Salonen conducting.

The South Bay company tests its mettle in the composer’s youthful, turbulent work.

There was a lot of talent on the stage in Torrance. Time to let them lead.

The long-awaited premiere of Matthew Welch’s Tomorrow’s Memories, drawn from the writings of a young Filipina immigrant, is set for June.

Julia Wolfe’s new oratorio makes a passionate feminist argument that’s musically and theatrically unrelenting.

The in-demand conductor is resigning from his position at the Paris Opera after just two seasons.

The Swedish soprano returns to SF Opera to tackle the challenging character of the Dyer’s Wife in Die Frau ohne Schatten.