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Latest From the SFCV Feed

Janos Gereben - September 19, 2023

It will be 300 days with no agreement when the orchestra plays its opening-night gala this week.

Janos Gereben - September 19, 2023

The sale of the late Ann Getty’s art collections will benefit the SF Symphony, SF Opera, and the SF Conservatory of Music, among others.

Victoria Looseleaf - September 18, 2023

The mezzo-soprano is singing in back-to-back productions of Don Giovanni and The Barber of Seville this fall.

Tom Jacobs - September 15, 2023

The company is prioritizing innovation and inclusion by collaborating with all-woman writing teams in 2024.

Richard S. Ginell - September 15, 2023

Karen Kamensek leads performances of The Planets and Glass’s First Violin Concerto that get there in the end.

Steven Winn - September 14, 2023

In a work laced with action-movie passion, soprano Angel Blue and mezzo-soprano Ekaterina Semenchuk are incisive and alluring.

Michael Zwiebach - September 12, 2023

Master of electronica though he is, the composer of The (R)evolution of Steve Jobs links his ideals to 19th-century programmatic music.

Jim Farber - September 12, 2023

The intimate 300-seat space will host the majority of the presenter’s events this year.

Tom Jacobs - September 12, 2023

Czech composer Vítězslava Kaprálová’s 1935 opus will feature pianist and UCLA grad Rosalind Wan Wong.

Janos Gereben - September 12, 2023

All the new tracks are alternate takes and studio working sessions, aimed at Callas lovers who want an ever more complete look at her career.