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Latest From the SFCV Feed

Emily Wilson - November 21, 2022

SFCV chats with the prodigious pianist and composer who’s constantly exploring new artistic interests.

Nicholas Jones - November 20, 2022

Sign of the times? Matthew Ozawa’s directorial vision emphasizes darkness over grace and resilience.

Jim Farber - November 20, 2022

Pianists Katia and Marielle Labèque premiere a psychedelic new work at Disney Hall, in collaboration with soprano Barbara Hannigan.

Jason Victor Serinus - November 15, 2022

The mezzo who portrayed Rosina despite a broken leg is now one of the finest bel canto singers of our era. Here’s where to start with her discography.

David Bratman - November 15, 2022

Meta4 makes its West Coast debut with a fascinating concert of works inspired by the far north.

Richard S. Ginell - November 15, 2022

The LA Phil’s recent string of festival programming falls short on the classical side but succeeds at its most contemporary.

Janos Gereben - November 15, 2022

The celebrated teacher who’s trained budding singers at the SF Conservatory of Music and beyond turns 70 this year.

Jason Victor Serinus - November 15, 2022

Soprano Pretty Yende leads a winning cast that brings this beautiful new production to life.

Lisa Hirsch - November 15, 2022

Gautier Capuçon is the stellar soloist for this latest foray into concert music by the longtime film composer.

Nicholas Jones - November 15, 2022

The early-music legend brings virtuoso repertoire and another consort of collaborators to Berkeley.