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Latest From the SFCV Feed

Ben Kutner - May 8, 2021

Angèle Dubeau’s Immersion highlights the violin’s modern side.

Richard S. Ginell - May 8, 2021

Pianist Karl Larson, a frequent collaborator with the composer, makes the most of these languid, idiosyncratic sketches.

 

Richard S. Ginell - May 4, 2021

The homebuilding tycoon was one of L.A.’s most visible, and controversial, arts philanthropists.

Iris Kwok - May 4, 2021

Three short concerts will feature video by Mercury Soul and three works for string orchestra.

Tamzin Elliott - May 4, 2021

The vocalist/multi-instrumentalist’s latest opus is a compassionate look at our time and a cornucopia of farsighted connections.

Paul Kotapish - May 4, 2021

The online fundraiser combines virtual tours of classic homes and gardens with music performances by festival participants.

Janos Gereben - May 4, 2021

The highly anticipated public performances are slated for July 3 and 31.

Lou Fancher - May 3, 2021

Drawing on his European classical training, his Chickasaw heritage, and sometimes Celtic roots music, Tate optimistically fuses it all into his own American style.

Richard S. Ginell - May 1, 2021

Rarely performed in the U.S., this music from Ralph Vaughan Williams and William Walton deserves a wider audience.

Jonathan Leal - April 30, 2021

Even when revisiting her 2009 Steel Hammer for a film adaptation for Cal Performances, the composer likes to jump in at the deep end.