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Latest From the SFCV Feed

Lou Fancher - April 5, 2019

Informed by veteran soldiers and a serving battalion, Kay’s work touches on every aspect of war and its aftermath on the people who wage it.

Jeremy Reynolds - April 5, 2019

Impeccable musicianship is essential, but it’s just the beginning. Learn more.

Ken Iisaka - April 2, 2019

Making the difficult seem easy is what the pianist does best, as his Davies Hall recital demonstrated.

David Bratman - April 2, 2019

The U.S. premiere of a Samuel Adams concerto grosso highlights a gentle concert.

Ken Iisaka - April 2, 2019

Juxtaposing the composer’s early and late styles made for effective contrasts as well as interesting interpretive choices.

Joe Cadagin - April 2, 2019

Kaminsky’s strong music is the focal point of Opera Parallèle’s world-premiere production.

Tysen Dauer - April 2, 2019

Two contemporary composers obliterate preconceptions about music and the objects – and people – making it.

Janos Gereben - April 2, 2019

“Continuum” highlights the passing of the torch from famous masters to their students.

Janos Gereben - April 2, 2019

The Lithuanian conductor cancels her second S.F. Symphony engagement.

Brin Solomon - April 2, 2019

Two experimental artists in their first collaboration make a challenging, surprising piece.