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Latest From the SFCV Feed

Nicholas Jones - October 16, 2017

Superb singing and playing transcend lackluster acting and staging in this challenging opera.

David Bratman - October 16, 2017

The veteran ensemble champions new and vintage works for the modern brass quintet.

Rebecca Wishnia - October 16, 2017

The cellist and performer/composer collaborate in a fresh, wide-ranging program.

Allan Kozinn - October 14, 2017

New music without Bang on a Can would be a lot less visible, a lot grayer, and a lot less fun. Here’s the story of their breakthrough ideas.

Lou Fancher - October 14, 2017

The Parksville Murders is a new opera designed and performed for the virtual-reality environment.

Giacomo Fiore - October 11, 2017

Mieczyslaw Weinberg is having a moment of rediscovery. Is his music worth it?

Peter Feher - October 10, 2017

What SFCV has been able to learn about arts organizations in the area of the fires.

Joe Cadagin - October 10, 2017

Stravinsky’s century-old piece still resonates with more power and urgency than the contemporary works it inspired.

Steve Osborn - October 10, 2017

Contender Francesco Lecce-Chong acquits himself best on sprightly material from Bates and Beethoven.

Ken Iisaka - October 10, 2017

The Cliburn-winning pianist brought fresh insight and nuance to familiar repertoire.