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The great pianist graced a Santa Cruz Symphony concert for the second time this year and the results were just as magical as the first.

Sometimes concert extras don’t add that much.

Mason Bates’ opera is designed to use both high-tech and traditional operatic ideas to enter the inner world of the mercurial co-founder of Apple, Inc.

Arts and Economic Prosperity 5, a report from Americans for the Arts, shows how deep an impact all those little arts organizations have, especially in San Francisco.

Composer Lisa Bielawa is used to big ideas and challenges, and her T.V. serial opera is again pushing back limits.

Farewell to the SF Symphony Wednesday subscription performances, Piaf by the Bay, and the renovation of a multipurpose theater is announced.

International Program artists at Menlo are busy, young professionals with awards and accolades to spare.

George Lewis’s Afterword, an opera has an original premise, and some beautiful music, but there’s one big fly in the ointment.

There’s way too much on Luca Pisaroni’s plate, but that’s how it has to be with the baritione who takes the role of Frere Laurence in Berlioz’s Roméo e Juliette with S.F. Symphony

Meanwhile, conductor Vasily Petrenko made a meal of Rachmaninoff’s First Symphony, leading the San Francisco Symphony’s weekend program.