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Latest From the SFCV Feed

Lou Fancher - January 24, 2017

Attracting a discordant crew of fans, George Hurd compounds electronic and chamber into a web of euphonic melody.

Rebecca Wishnia - January 24, 2017

Excerpts proved the rule at the latest set, hosted by composer Mason Bates and conductor Edwin Outwater.

Steven Winn - January 24, 2017

The chamber ensemble played with fire and grace on works from Handel, Bach, and Rameau.

Janos Gereben - January 24, 2017

This year’s eight-disc collection spotlights the musical dialogue between Russia and the West.

Lou Fancher - January 19, 2017

Books on music to inspire and inform.

Janos Gereben - January 18, 2017

Silent Night in San José, Vikings at the Marines, and Red Chamber in Hong Kong

Lou Fancher - January 17, 2017

The bassist, composer, and educator talks about his projects, his work with kids, and using music to reflect a “positive and truthful” history.

Lucy Caplan - January 17, 2017

Missy Mazzoli’s Breaking the Waves and M. Lamar’s Funeral Doom Spiritual tackle uncomfortable subjects, uncompromisingly — and make powerful art out of them.

Tysen Dauer - January 17, 2017

Yves Klein’s Monotone-Silence Symphony only appears to be off-the-wall experimental. Actually, it’s a modest experiment and a captivating experience

Lisa Hirsch - January 17, 2017

Pretty presentation does little to inject drama into an early Mahler cantata