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Latest From the SFCV Feed

Mark MacNamara - April 6, 2016

Not every award is worth crowing about, but winning an Avery Fisher Career Grant puts you in pretty rare company as this year’s winners attest.

Rebecca Wishnia - April 6, 2016

Games, songs, comedy, and sensuality combine in this show based on Serbian wedding songs and traditions.

Jason Victor Serinus - April 5, 2016

In recent recordings, the S.F. Symphony gives us a bevy of Bates, Philharmonia Baroque resuscitates a serenata, and American Bach Soloists air a rarely-performed version of Handel’s Messiah.

Niels Swinkels - April 5, 2016

SF Symphony featured the less-performed, edgy works in Copland's output, with Inon Barnatan at the keyboards for the Piano Concerto.

Janos Gereben - April 5, 2016

Recent works from alumni of the symphony's Young American Composer-in-Residence program will grace each of the 30th-anniversary concerts.

Janos Gereben - April 5, 2016

The opera from composer Jake Heggie and librettist Gene Scheer explores Nazi persecution at a personal level.

Janos Gereben - April 5, 2016

The orchestra pins its hopes on the New Zealand conductor to lift them to the next level.

Lily O'Brien - April 5, 2016

When necessity drove these award-winning classical musicians to experiment with jazz, their music-making got even better.

Rebecca Wishnia - April 1, 2016

In their "Bridge to Beethoven" series, violinist Jennifer Koh and pianist Shai Wosner set a contemporary composer a near-impossible task.

Janice Berman - April 1, 2016

It’s not often that a new, full-length ballet with a commissioned score from a top-rank composer makes its appearance, but 2017 will feature one by celebrated choreographer Liam Scarlett.