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Rarely performed music of masters and one younger brother made for a stimulating and surprising afternoon.

The pulse of the West Edge Opera's Aroldo may have been a bit uneven, but there was no doubt that the opera is Verdi’s living, breathing, creation worthy of a live encounter.

Eric Zivian unleashes a fascinating musical lesson about how the piano’s technical evolution has freed certain composers’ imagination.

The SFS is currently on two weeks of ‘Bach camp,’ delving into the music of father J.S. and son C.P.E Bach under the guidance of Dutch conductor Ton Koopman.

Before a a thrilled audience, as though she could do no wrong, mezzo-soprano Stephanie Blythe dedicated her take-no-prisoners voice to a winning program of French song and American popular classics from the 20th century.