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Guest conductor James Conlon led the S.F. Symphony a standout piece by composer Erwin Schulhoff and notable performances by Jean-Yves Thibaudet and Mark Inouye.

With music from the Philharmonia Baroque Orchestra and Chorale conducted by Nicholas McGegan, Acis and Galatea, a Cal Performances co-production and world premiere is a delight.

A great deal of hard work pays for Opera Parallèle, despite an odd pairing for a double-bill and its so-called "ubernarrative."

There are plenty of clues that classical music is alive and well in the Bay Area, evidenced by an all-motets concert by American Bach Soloists that drew a large, incredibly enthusiastic audience.

The Ives Quartet performs a program that would have drawn a spectrum of reactions from the namesake composer.

At the Sweet Thunder Festival the JACK Quartet looks totally comfortable with any aspect of extended technique, and then some.

The free, inter-generational dance classes to teach choreographic phrases from different works by Mark Morris come to Cal Performances.

The S.F. Symphony’s Adventures in Music program reaches every child in grades 1-5 in the San Francisco Unified School District with music appreciation, inspiring them and building community.

Technical aspects vie with purely musical ones in Paul Dresher Ensemble’s current outing.

A Weill-Poulenc double-bill from Opera Parallèle offers a musical-theatrical gem; a source of excitement and discovery.