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Latest From the SFCV Feed

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Music News

S.F. Symphony Members Back Bach

Janos Gereben - April 22, 2014
Peter Wyrick Photo by Kristen Loken
Peter Wyrick
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Artist Spotlight

Laughing it Up With Kelley O'Connor

Jason Victor Serinus - April 21, 2014

Concert-loving mezzo Kelley O’Connor talks about upcoming performances and the expanding arc of her career.

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Feature

Three Weekend Recommendations for Families

Mark MacNamara - April 17, 2014

There will be a lot of private family events this weekend, but if you’re looking for something to do with the family to celebrate, or for no special reason, here are some best bets.

VIDEO TIP: Cuban Marcha Rhythm

Omar Ledezma, Jr. - April 16, 2014

Percussionist Omar Ledezma, Jr. provides an introduction to the Cuban Marcha Rhythm, the most common rhythm used in Salsa/Son music.

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Preview

Festival Opera: A Rare Holocaust Operatic Commemoration

Jason Victor Serinus - April 15, 2014

Festival Opera confronts the Holocaust in two powerful chamber operas — one created by Nazi victims in 1943, one by a hopeful contemporary team of composer-and-lyricist.

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Review

Liszt Blitz From Khatia Buniatishvili

Anatole Leikin - April 15, 2014

Georgian-born Khatia Buniatishvili’s deeply felt musicality proves right for Liszt and Ravel, but is a bit off for a Chopin sonata.

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Artist Spotlight

Nicole Paiement: The Bright New Force of Opera Parallèle

Lisa Houston - April 15, 2014

A passion for connecting today’s audiences with great music of the past is the driving force behind Nicole Paiement’s rising company, Opera Parallèle.

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Review

Voicing Lamentations

Anna Carol Dudley - April 15, 2014

In praise of Scarlatti, the estimable Voices of Music lament impressively.

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Music News

Merolini in Houston Ring

Janos Gereben - April 15, 2014
Catherine Martin as Wellgunde, Andrea Carroll as Woglinde, Christopher Purves as Alberich, Renée Tatum as Flosshilde Photo by Lynn Lane
Catherine Martin as Wellgunde, Andrea

Big, Quirky Awards from Nilsson Foundation

Janos Gereben - April 15, 2014

Suppose you controlled the largest award in all of classical music — $1 million a pop — who would get it? Your choice probably wouldn't be the Vienna Philharmonic (more than sufficiently financed already) or Plácido Domingo, also in a comfortable compensation bracket.