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Latest From the SFCV Feed

Lily O'Brien - March 11, 2025

Not content with the usual repertoire, Meijer has forged an unconventional career playing music across genres.

Harlow Robinson - March 10, 2025

On its debut album, Censored Anthems, chamber orchestra Parlando looks at composers working within the restrictions of socialist realism.

Andrew Gilbert - March 10, 2025

Over four nights at SFJAZZ, Younger and her quintet debut sublime original pieces in new arrangements featuring NCCO.

David Bratman - March 10, 2025

Amid their California residency in Berkeley and Orange County, conductor and orchestra shine in symphonies by Schubert and Dvořák.

Janos Gereben - March 10, 2025

Some decisions are voluntary, such as artists scrapping their U.S. tours, while others are compulsory, like the pause on certain DEI initiatives.

Lisa Hirsch - March 9, 2025

Opera Parallèle’s The Pigeon Keeper is a production for everyone, with a strong moral and moving performances.

Tom Jacobs - March 6, 2025

The orchestra’s schedule for 2025–2026 is partly a tribute to its beloved outgoing music and artistic director.

David Bratman - March 4, 2025

El amor brujo shares a concert with Camille Saint-Saëns’ Violin Concerto No. 3 featuring soloist Alex Eisenberg.

Lisa Hirsch - March 4, 2025

A solid cast makes this a winning production of Mozart’s masterpiece.

Steven Winn - March 4, 2025

An overabundance of character dances doesn’t dampen the show’s overall effect.