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Bass-baritone Philippe Sly, despite a range of gifts, may have aimed too high to suit his repertoire to his present capabilities.

When is an agreement not an agreement? The short answer: if it's not ratified. The long story, of course, is more complicated.

Colorful exoticism and vivid stage values make West Edge Opera’s new opera about painter Paul Gauguin a marvel for all the senses.

A varied program and additional school audiences highlight the SFS Chamber Music Series in Davies Symphony Hall.

Vadim Repin's recital at Weill Hall demonstrates his technical flair and artistry in a program that is perfectly suited to his gifts; showcasing a master storyteller composer such as Janáček.

The six-year-old Jewish Music & Poetry Project performed an evening of music to Jewish women’s poetry or by Jewish composers in Old First Church.

An endorsement of the passage of Bill AB 580 and funding for the California Arts Council.

A venerable British choir sings sublimely, but puzzles its audience at Stanford by program and presentation decisions.

Pugilistic and heartrending compositions battle it out at NCCO’s recital. Between rounds, Anne Marie McDermott’s graceful pianism provides welcome Mozart-relief.