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Latest From the SFCV Feed

Tamzin Elliott - December 12, 2023

Opera has always been a space for gender-bending. Trans artists are trying to make it work for them.

Emery Kerekes - December 12, 2023

Both Anthony Davis’s X and Daniel Catán’s Florencia en el Amazonas are modern classics, and the Met gives them excellent productions.

Victoria Looseleaf - December 11, 2023

Ahead of New Year’s Eve concerts at Disney Hall, the chanteuse talks about her history with the band and what the future has in store.

Tom Jacobs - December 11, 2023

Schick’s career at the forefront of contemporary classical music has been defined by major journeys, notably along the California coast.

Emily Wilson - December 11, 2023

Smith, currently the subject of a major museum exhibition, is best remembered today for compiling the Anthology of American Folk Music.

David Bratman - December 5, 2023

The founder of L.A. new-music group Wild Up leads a spirited concert of Americana, including Jeff Midkiff’s Mandolin Concerto.

Richard S. Ginell - December 5, 2023

The LA Phil features Esa-Pekka Salonen’s Karawane and Maurice Ravel’s Daphnis et Chloé.

Lev Mamuya - December 5, 2023

The contemporary ensemble brings in composers from diverse backgrounds and practices, which creates its own challenges.

Jim Farber - December 5, 2023

Etienne Gara’s ensemble is one of several young groups in L.A. that are shaking up formats and programing in a welcome way.

Janos Gereben - December 5, 2023

The young professionals in the program take swings at big roles, with consistently exciting results.