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Latest From the SFCV Feed

Janos Gereben - February 19, 2013
Final scene, with Marnie Breckenridge as Margarita Xirgu Photo by Steve Barto
Final scene, with Marnie Breckenridge as Margarita Xirgu
Janos Gereben - February 19, 2013
Simon Hewett
Simon Hewett

Between Friday evening and Sunday afternoon, the San Francisco Ballet Orchestra and most of the Hamburg Ballet (exc

Janos Gereben - February 19, 2013

The American Pianists Association has commissioned works for solo piano from five women composers – Lisa Bielawa (see previous item), Margaret Brouwer, Gabriela Lena Frank, Missy Mazzoli, and Sarah Kirkland Snider.

Georgia Rowe - February 18, 2013

The much-loved children’s book The Secret Garden becomes a modern and accessible opera, premiering in Berkeley in March.

Be'eri Moalem - February 18, 2013

With brilliant bow technique and uncommon musical mastery, violinist Leonidas Kavakos dishes up a bounty of Beethoven.

Georgia Rowe - February 17, 2013

Ten years after its first production, Golijov’s dreamlike Ainadamar made its long-awaited Bay Area premiere with a stellar cast in a stunning new production by Opera Parallèle.

David Bratman - February 17, 2013

The Ives Quartet parlayed a feast of chords into an enjoyable recital in Palo Alto, featuring David Conte’s strong second quartet.

John Bender - February 17, 2013

Rochelle Bard animates West Bay Opera’s Lucia di Lammermoor with vocal finesse and believability.

Jason Victor Serinus - February 16, 2013

Is lyric tenor Alek Shrader a “Young Master”? That was the question of the evening when the Merola and Adler Fellow alum-made-good returned to San Francisco.