The opera’s latest revision, unveiled by Adams, the LA Phil, and the original cast, makes a strong case for the work.
Calm, peaceful works by the Ukrainian composer contrast with the Sturm und Drang of Mozart’s D-Minor Piano Concerto at The Soraya.
Orchestra and music director were united in splendid interpretations of Beethoven and Mussorgsky/Ravel.
Putting classic Golden Age film scores next to the composer’s Symphony No. 2 shows what was borrowed and what was missed.
Resurrected by determined advocates like Cox, William Levi Dawson’s symphony is definitely repertory-worthy.
Jörg Widmann’s eerily beautiful Violin Concerto is the perfect complement to this concert led by guest conductor Robin Ticciati.
SFCV chats with a leading figure in new music, who wraps up his tenure with the famed Ensemble intercontemporain this season.
But it’s the Clara Schumann Piano Trio that makes this recording particularly valuable.
