Reviews

Janice Berman - March 21, 2016

Yuri Possokhov creates a ballet that bathes in wonderful artifacts of the Sixties.

Giacomo Fiore - March 18, 2016

Royal Hartigan guided the stellar combo in a vibrant program that spanned multiple musical traditions.

Rebecca Wishnia - March 17, 2016

The ensemble will be missed for their sensible interpretations and fine ensemble playing.

Scott Cmiel - March 17, 2016

The guitarist delivered masterful renderings of J.S. Bach's Chaconne and a selection of Latin favorites.

Jim Farber - March 15, 2016

A bold, new opera tells of PTSD and the American and Iraqi casualties of a war we’d like to forget, but can’t.

Giacomo Fiore - March 15, 2016

In her San Francisco debut, Vicky Chow showcased works that confronted difficult issues of technology and politics.

Ken Iisaka - March 15, 2016

As he’s been doing his whole career, conductor Charles Dutoit brought clarity and detail to early 20th-century masterpieces.

Jason Victor Serinus - March 14, 2016

William Kentridge’s animated art was paired with Matthias Goerne’s supremely lyrical presentation of Schubert’s last song cycle.

Janice Berman - March 14, 2016

A true story of a 19-year-old resisting the Nazis is the latest, powerful addition to Bill T. Jones’ dances exploring racism and social injustice.

Joe Cadagin - March 9, 2016

The extraordinary music Monk creates, largely with her own voice, still has the power to amaze, as a recital drawn from her long career showed.