Reviews

The Academy of St. Martin in the Fields fielded a great soloist on Sunday, but missed a conductor’s attention.

Composer Catherine Lamb creates a composition/soundscape that is both suggestive and familiar.

The lights were more than dimmed at S.F. Performances’ inaugural PIVOT program at the Strand Theater. They were turned off, and they stayed off for the concert’s duration.

: No more excuses if you haven’t heard the work of this brilliant Portuguese pianist.

The often-ignored repertory of 17th-century oratorios, was given a vigorous, musically satisfying revival in California Bach Society’s latest concert set.

Harpsichordist Derek Tam joined the group in three pieces all composed in 2016.

In between the Russian warhorses, some unpredictable and finely-played music, and an orchestra in close harmony with its conductor.

The French conductor brought a Glimmer of new music to the San Francisco Symphony’s series of subscription concerts.

With several standout performances by the leads, West Bay Opera’s gamble on Russian opera pays handsome dividends.

The production, choreographed by the artistic director in 2009, returns to the War Memorial Opera House after a six-year absence.