Daniel Hope joined the orchestra as guest concertmaster and principal soloist in a tribute to his mentor.
Mariana Sadovska joined Kronos in a riveting performance of her Chernobyl.The Harvest, new music that, at last, took some risks.
Messiaen asks the orchestra to move us toward the infinite in Des Canyons aux étoiles.
The composer’s early piano sonata and an Andrew Imbrie’s Earplay Fantasy dominated the proceedings.
The greats and not-so-greats of 17th-century Vienna get a hearing thanks to the Quicksilver ensemble.
The Ives Quartet has morphed into the Ives Collective, which began 2016 with Messiaen’s Quartet for the End of Time
The singer-songwriter/composer joined string quartet Brooklyn Rider for a different kind of Schubertiade.
Liam Scarlett’s latest ballet goes exuberantly “street,” and Mark Morris’ “Drink to Me Only ...” makes a welcome return.
Conductor Edwin Outwater and pianist Stephen Hough teamed up for Saint-Saens’ Concerto No. 5, and the orchestra leapt through several other Eastern-themed pieces.
American Bach Soloists revisited two of the three Bach Cantatas from their inaugural concert for the opening of their 27th season.
