The “opera in jazz” follows the life of aging, dementia-scarred prize fighter Emile Griffith.
The S.F. Symphony Chorus put on an unhip but engaging performance in SoundBox’s third program of the season.
The company showed plenty of confidence in its first program after returning from a tour of Spain.
The ensemble pulled together a diverse group of pieces for its program at Berkeley’s Hertz Hall.
With friends Barry Shiffman and Zuill Bailey, Cypress Quartet gave fluid performances of Brahms’ sextets.
Opera San Jose’s Carmen, which opened on Feb. 13, works well for the opera neophyte.
Less musically brilliant than the Rossini favorite, Giovanni Paisiello's Barber of Seville still provided plenty of sparkle and musical comedy.
With conductor Tito Muñoz pinch-hitting for Joana Carneiro, the orchestra welcomed an exciting soloist in Beethoven’s “Emperor” Concerto.
The premiere of one of the first Fifty for the Future Commissions highlighted the final night of the Kronos Quartet’s second annual festival.
The orchestra welcomed fortepianist Kristian Bezuidenhout as soloist in an all-Mozart program.
